Back in 1979, reviewers liked to point out that Francis Ford Coppola’s Vietnam epic Apocalypse Now was so plagued with difficulty and confusion (the star suffered a heart attack during shooting and a devastating typhoon destroyed all the sets) that the making of the film paralleled the reality of the Vietnam War itself.
A similar observation might be made of Clint Eastwood’s American Sniper about Iraq. Like the Iraq War itself, Eastwood’s movie begins by exploiting a historically inaccurate delusion and, then, sustains itself for two hours on the mission to protect US soldiers against the insurgency that arose in opposition to the US invasion and occupation based on the initial delusion.
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